Meet USA Today Bestselling Author Amy M. Reade

Amy M. Reade is a new-to-me author and one that I’m really excited about.  I’m in the midst of reading her latest release, The House on Candlewick Lane and thoroughly enjoying it. And, bonus…it’s on sale for 99c right now!

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It is every parent’s worst nightmare. Greer Dobbins’ daughter has been kidnapped—and spirited across the Atlantic to a hiding place in Scotland. Greer will do anything to find her, but the streets of Edinburgh hide a thousand secrets—including some she’d rather not face.

Art historian Dr. Greer Dobbins thought her ex-husband, Neill, had his gambling addiction under control. But in fact, he was spiraling deeper and deeper into debt. When a group of shady lenders threatens to harm the divorced couple’s five-year-old daughter if he doesn’t pay up, a desperate Neill abducts the girl and flees to his native Scotland. Though the trail seems cold, Greer refuses to give up and embarks on a frantic search through the medieval alleys of Edinburgh—a city as beguiling as it is dangerous. But as the nightmare thickens with cryptic messages and a mysterious attack, Greer herself will become a target, along with everyone she holds dear.


Let’s get to know Amy. 

What literary pilgrimages have you gone on?

I went to Edinburgh last year and soo wanted to visit the Writers’ Museum, but we ran out of time. I was near it, though. Does that count? And the granddaughter of Laura Ingalls Wilder visited my hometown when I was young and I went to the talk she gave at our local library. She autographed one of her grandmother’s books for me. What a treat! I still have the book and I treasure it.

Does writing energize or exhaust you?

It depends on what I’ve written. If I’m happy with it, I’m energized. If I’m unhappy with it, I am useless and catatonic until I can edit the offending scene(s).

Does a big ego help or hurt writers?

I think a big ego is unbecoming and I gravitate toward people who have a healthy amount of humility (as I hope I do). That being said, a relatively famous author I’ve met in person has a huge ego. Is that what makes her successful? I don’t know, but it doesn’t seem to hurt. Maybe that’s why I’m not as famous as she is—I’m just too darn nice.

What is your writing Kryptonite?

The greatest time suck in history: Social media.

Did you ever consider writing under a pseudonym?

I have, but there’s really no reason for it at this point. A: I don’t write anything that would embarrass my family or myself; and B: I have a pretty cool last name for a writer.

Do you try more to be original or to deliver to readers what they want?

I am blessed to have readers who give me feedback about what they love and want to see in my books. I also know from a few early reviews of my first book that there are some things my readers don’t like. But I don’t feel like I’m giving up my originality by writing what people like.

Bottom line: I think it’s possible for a writer to be original while still delivering what readers want.

Do you think someone could be a writer if they don’t feel emotions strongly?

I do think it’s possible. Just because a person doesn’t feel emotions deeply doesn’t mean they aren’t capable of understanding them or having empathy with people who do feel them. In fact, a dispassionate author might actually be better able to cut unnecessary words and scenes from a novel without feeling like they’ve lost a part of himself or herself.

What other authors are you friends with, and how do they help you become a better writer?

I am very lucky to be friends with lots of authors. I’ve found authors, as a community, to be some of the most supportive, selfless, and genuine people I’ve ever known. They’re always willing to share their steps to success, as well as their failures, so other authors can learn from their smart moves and their mistakes. They’re also very generous with their help to new writers.

 How did publishing your first book change your process of writing?

It made me write faster! I wrote my first book longhand on legal paper, and it became apparent very quickly that I wouldn’t have time for that with future books. Now I write everything directly onto the computer.

What was the best money you ever spent as a writer?

Buying my domain name.

What do you owe the real people upon whom you base your characters?

There’s only one person upon whom a character in my books is loosely based, and I must thank that wretched monster for the miserable experience s/he created for me. Without it, I would not have been able to craft the thoroughly evil villain in the book I’m working on now.

But I’m not bitter or anything.

How many unpublished and half-finished books do you have?

I have two half-finished books right now, both of which are (obviously) unpublished. I also have two books in the publication pipeline, both at different points in the editing process.

What’s the best way to market your books?

The best marketing isn’t done by me—it’s done by readers, by word-of-mouth. I think most authors would say the same thing.


 

Thanks for stopping by and getting to know Amy.

You can catch up with her here:

On her blog: https://amreade.wordpress.com/

On her webpage: http://www.amymreade.com/

On  Facebook

On Twitter

On:  Goodreads

 

Meet Mystery Author, Linda Berry

Meet mystery author, Linda Berry. 

Your latest mystery, Pretty Corpse, was recently released. Tell us about the story.

The year is 1999. A serial rapist is targeting teen girls in San Francisco. While on patrol, Officer Lauren Starkley discovers one of the victims, and she’s shocked to find out the girl is a close friend of her daughter. The case instantly becomes intensely personal. Because she isn’t a detective, Lauren is restricted from investigating, but she does so nonetheless on her own time. Lauren has an uncanny ability to find obscure clues and link them together. Her relentless pursuit of the rapist draws her deeper into his world. He in turn, starts getting closer to Lauren and her daughter. Lauren needs to lure him out of hiding, fast, before her daughter becomes his next victim.

You populate your novels with an interesting mix of characters. Tell us about that.

My stories reflect the range of characters each of us knows in real life. We all have people we admire, people who threaten us or are just plain loony. I like to keep a reader alert and surprised by creating several interrelated stories that and ebb and flow through the main story. We are all multi-dimensional, and have many stories happening simultaneously in our lives, and sometimes conflict erupts on many fronts. I like to get into those emotional tsunamis and explore a person’s breaking point, and how they deal with the challenge. Complex characters that are bitterly wounded or pathologically twisted are interesting to me. I like to contrast the most vile and repugnant aspects of human nature to the most heroic and noble, and throw some quirky characters in for good measure.

How did you research this police thriller?

To write authentically, I do extensive research. That doesn’t mean I let my fingers do the walking. I have to give a big thank you to the police officers at Mission Station in San Francisco in 2001, when I wrote this first draft. My research for Pretty Corpse came in the form of dozens of ride-alongs I did with various female patrol officers. I chose the night shift when the city was rife with criminal activity, and I got to see these courageous women in action. Several of my characters were inspired by the female cops I came to know, and also by the captain of the station, who gave generously of his time to help me authenticate my writing. Many of the side stories in Pretty Corpse are based on actual events relayed to me by police officers from Mission Station.

Where do you write?

I write in a sunny office in my home overlooking a canal and peaceful wooded area. I live in Central Oregon, a resort town in the shadow of the Cascade Mountains.

You were an award-winning copywriter and art director for twenty-five years, and worked part of that time for the film industry. Did that experience shape your decision to become a novelist?

Absolutely. I had the privilege of collaborating with talented writers and some of the best editors in the business. I love books and have been an avid reader my entire life. I wrote novels as a passionate hobby. In fact, my three novels released this year by Winter Goose Publishing are the result of my efforts spanning a decade. Now that I’m retired, I write every day. It’s so much easier to produce good work when you can keep your train of thought moving forward, and are not constantly interrupted.

What do you love most about your work?

I love the creative process itself—the challenge of developing and constructing plots that continually surprise the reader and hold them in a state of suspense. Writing is both a passion and a compulsion—a truly satisfying form of escape. My reward comes when a reader tells me they couldn’t put my book down and they talk about my characters as though they’re real people. Then I know I did my job well.

What is your idea of perfect happiness?

Happiness comes to me in many forms. Appreciation of life itself is the foundation of happiness. I find this planet miraculous, from subatomic matter to the galaxies in space. I enjoy the beauty of ecosystems, how so many forms of life—plants, birds, mammals, reptiles, insects—the smallest creature to the largest, are dependent on each other for survival. My idea of perfect happiness is living on a healthy planet where people live together in peace and are trusted guardians of nature.

What is your greatest fear?

Being impoverished, homeless, or mentally or physically impaired and dependent on others. I did undergo some terrible threats to my health six years ago. I had a bout of debilitating pain for about 8 months, which diminished my ability to enjoy life. I’m now completely recovered, and feel I’ve been given a second chance at life. The experience sharpened my awareness of how fragile life is, how it can be taken away in an instant, and how one might be forced to languish in pain for a period of time. It heightened my appreciation for the quality of life I have now, for every precious moment I’m healthy and independent.

What is the trait you most deplore in yourself?

Lack of patience. Sometimes I get caught up in the every day demands of life, and the illusion that I don’t have enough time to do everything I want to do. I have to remind myself at times to live in the moment, address what is happening right in front of me, and listen to people, even when I feel I’m short on time. Giving another human being a few minutes of conversation can make a huge difference in that person’s life. Kindness goes a long way.

Who in your profession do you most admire?

I read everything, and admire countless writers, from journalists to screen writers to poets to authors. I especially love mysteries, and I read an average of two books a week. If the writing is solid, and the story is well-constructed, I’ll read it regardless of genre.

What is your greatest extravagance?

Disconnecting from the world. Getting out in nature with my husband and our dog in our motorhome. I love being on a lazy schedule and disconnecting from social media, where the only decision I have to make is when to eat and what hikes to takey. I can write in uninterrupted peace for hours at a time, surrounded by nature, sometimes listening to the gentle patter of rain, watching water drip off leaves. I love going to national parks, off season. We went to Bryce and Zion and Arches and the Grand Canyon two years ago. Last year we went to Yellowstone and the Grand Tetons, and this year we may be going to Yosemite.

On what occasion would you lie?

I don’t tell big extravagant lies, but I do tell baby lies frequently, mostly when complimenting people. For example: “no, your ass doesn’t look big in those jeans” or “you look marvelous” when in actuality, you look hungover, and you have stains on your shirt.

What do you dislike most in your work?

When I hit a brick wall and I have to stop writing, sometimes for days, while I process my story and play out different scenarios in my head. I never force the creative process. What generally helps me break through the logjam is reading. I’ll bury my nose in a good book, and before long, ideas start percolating to the surface. I also have a muse. My nail goddess, who’s held captive doing my mani/pedi for 2 hours, and I bounce ideas off her. She has a creative mind and has been a wonderful contributor to my stories for years.

When and where were you happiest in your work?

This current period in my life is the happiest. Now that I’m retired, I have the luxury of writing every day. I wake up eager to get to work. I take my coffee up to my sunny office and dig in. I believe I’m at my most happiest when my husband and I are traveling and we’re parked in a beautiful wilderness area and the peace of the place seeps into my bones. I can write with no interruption.

If you could, what would you change about myself?

I would take twenty years of physical wear and tear off my body. Mentally, emotionally, and spiritually, I would change nothing. If I had to lose twenty years of life experience to be in a younger body, I would say no. I’m more at peace with myself at this stage of life than I have ever been.

What is your greatest achievement in work?

Having three novels completed and coming out this year, 2017. It’s a wonderful sense of accomplishment to see the culmination of years of work and endless rewrites in a physical book. Hidden Part One and Pretty Corpse are out, and Hidden Part Two comes out in September. I’m expecting my fourth mystery, Quiet Scream, to be out in December or January.

What is your most marked characteristic?

My friendliness, and my sense of humor. I have always had a keen interest in people and I’m a good observer, passionately interested in humans and the world around me. I’m an optimist at heart, and I’ve been blessed with a jolly spirit. I enjoy socializing but the greater part of my waking life is spent in solitude, writing, reading, and doing projects.

What is your most inspirational location in your city?

I like to get out on the wilderness trails with friends and dogs. We have a beautiful river, the Deschutes, that meanders through town and its character changes every foot of the way. There are many meadows, sagebrush flats, waterfalls, and breathtaking views of the Cascade Range. The look of a wild river, the various sounds of water rushing, falling, cascading over boulders, is invigorating and soothing. Hiking clears my head of thoughts and worries and puts me in a state of peacefulness.

What is your best advice for beginning writers?

Write about something you love and then your passion will come out in your words. Write often, every day, if possible. Read, read, read. I read one or two books a week, and I also watch movies and TV productions that tell good stories. I take notes. I have volumes of notes and refer to them daily.

Watch Linda’s Youtube trailers

Hidden: https://www.youtube.com/watch?v=B-bNoFgaD9U&t=7s

Pretty Corpse: https://www.youtube.com/watch?v=7QHSvirTYdw&feature=youtu.be

https://www.facebook.com/linda.berry.94617

www.lindaberry.net

@LindaBerry7272

lindaberrywriter@gmail.com

Here’s my review of Pretty Corpse

Linda Berry weaves a masterful tale of suspense in this novel heavy with police procedural details that reflect the time—1999. Set in beautiful San Francisco, the reader gets a glimpse of the grittier side of the city. Set nearly twenty years ago, we are reminded of how far we’ve come with science and technology and the challenges of crime solving years ago.

I quickly found myself pulled into protagonist Lauren Starkley’s world—a widowed cop raising a teenaged daughter, finding her way in what was still more of a man’s world back then, and dealing with crime on the late shift. She manages a multitude of roadblocks, both personally and professionally, all with grace and fortitude. Yes, she is a badass!

Murder and mayhem move the story along at a good clip as Lauren gets pulled into the dark world of a demented criminal. While working the night shift, the partners come upon a heinous crime scene that hits too close to home for Lauren. Someone is kidnapping and raping girls her daughter’s age, one victim is from her daughter’s class and that makes it personal. When the investigator in charge is slow to act, Lauren steps up and the real cat and mouse games begin.

Seamlessly, the complex characters, personal relationships, and criminal aspects of the book unfold, enmesh, and draw the reader in. The characters are multi-dimensional and realistic. And, that, coupled with an intriguing plot full of twists and turns, make this a must-read.

 

 

 

 

 

 

 

 

 

 

Meet suspense author, Sherry Knowlton

 

Today, I welcome author Sherry Knowlton for a visit. This Pennsylvania native has been writing in one form or another since elementary school. Along the way, her creative and technical work has run the gamut from poetry, essays, and short stories to environmental newsletters, policy papers, regulations, and grant proposals. Her debut novel published in 2014 and her third book in the Alexa Williams series launched in April of this year.

Let’s get to know Sherry.

  • Tell us, what literary pilgrimages have you gone on?

I’ve only gone on one deliberate literary pilgrimage. In college, I did a semester-long Independent Studies project on D.H. Lawrence’s novels.  Many years ago, I attended a work conference in Santa Fe, New Mexico.  Since it was my first visit to the area, I arrived a few days early and drove to nearby Taos to visit the Lawrence Memorial at his Kiowa Ranch. The author’s ashes are interred there, so I wanted to pay him homage.

It was a pretty weird experience.  The Memorial was back a remote, dirt lane, high on a windswept hill.  The place was completely deserted.  Just me, the cold wind, and Lawrence’s ashes somewhere in the small shrine.  Although Lawrence had lived at Kiowa Ranch for several years, most of the books I’d studied – Lady Chatterley’s Lover, Sons and Lovers, Women in Love – were set in the British Isles.  So, his final resting place seemed out of step with much of his work – except for The Plumed Serpent, which is based in Mexico and incorporates Aztec themes.  But, Lawrence’s writing was ahead of his time, much of it vilified in the early 1900’s (and later) as pornography.  He only gained a reputation as an important author after his death. So, maybe it’s fitting that his ashes rest in peace and quiet above the noise and rancor that he experienced during his life.

A myriad of other authors have inspired my love of travel although I wouldn’t call the trips pilgrimages.  Mary Stewart’s novels, like The Moonspinners, sent me sailing in the Cyclades Islands of Greece.  Reading Robert Ruark and Ernest Hemingway whetted my appetite for Africa.  Robert Ludlum’s books made me want to careen through the capitals of Europe. I could go on, but you get the idea.

  • What is the first book that made you cry?

This isn’t a very fair question for someone who cries regularly when reading.  I cry if a beloved character dies.  I cry if the dog dies.  I cry at the perfect romantic moment.  And, don’t get me started on movies.  I’ve seen the old Streisand/Redford movie The Way We Were umpteen times.  Every time it gets to the part where Redford and his friend are sailing and reminiscing about their best year and the Redford character says, “1944, no, 1945” then whispers “1946” – I start sobbing.  Every time.  Heck, I even cry at those heartwarming commercials with the Budweiser Clydesdales and dogs.

With so many fiction-induced tears in my life, I can’t really remember the first book that made me cry.  I know that The Diary of Anne Frank and To Kill a Mockingbird were two early books that affected me deeply.  In my junior high or high school years, I remember my devastation at the end of For Whom the Bell Tolls.  (Spoiler alert.) Robert Jordan’s self-sacrifice made me sob aloud.

In all seriousness, these days I generally avoid novels that scream tearjerker.  There are a glut of novels, often characterized as women’s fiction or literary fiction, which seem engineered to be emotionally manipulative.  I’m not saying that all women’s or literary fiction falls into this bucket.  But, there’s a certain strain of fiction that seems written purely to tug at the heartstrings.  I’d rather read a book that tells a compelling story and develops absorbing characters, so the emotion invoked is more honest.

  • Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

I have three books to date in my Alexa Williams suspense series, Dead of Autumn, Dead of Summer and the latest April release Dead of Spring.  Each book is written as a stand-alone, so a reader can pick it up and enjoy the story even though they might not have read the other books in the series.  However, many of the characters continue in one or more books:  my protagonist, Alexa’s, friends, family, colleagues, and her English mastiff, Scout.  Of course, these are suspense novels with an element of murder mystery, so in each book, a handful of characters don’t make it out alive.

One of the other key connections between my books is that social and environmental issues that are fundamental to the plots.  The latest, Dead of Spring, involves Alexa in the controversial areas of fracking and political corruption.  The themes of my earlier novels include reproductive rights for women and religious fundamentalism (Dead of Autumn) and sex trafficking (Dead of Summer). I believe that plots dealing with real-life current topics speak to readers and engage them in the suspense.

  • How did publishing your first book change your process of writing?

Publication of my first book changed my process in two key aspects.  First, it gave me more confidence about my writing.   Second, it gave me a greater understanding of the editing and publishing process. I knew better what to expect when the manuscript left my hands and went to my publisher, Sunbury Press.   So, that meant that I produced my next two manuscripts in a shorter timeframe, primarily because I didn’t do as many draft versions.

Now, that doesn’t mean that I still don’t edit and revise and re-edit.  Plus, I have a group of beta-readers who review and comment on a late draft – and I incorporate much of their feedback.  But, on my first novel, I got caught up in multiple revisions and probably wasted months before I submitted the manuscript to a publisher.  I’ve learned that you have to do your best to revise and refine your work, but at some point, you also have to let it go.  I’m lucky in that I have a wonderful editor who works with me on several rounds of edits prior to publication and always helps me make the final book better.

  • I can relate. It’s so hard to let go of that first one.      What was an early experience where you learned that language had power?

As a reporter and, then, editor of my high school newspaper, I began to understand the power that things like word choice, what to include or exclude in a story, etc. could have in shaping student knowledge and opinion.  Back then, journalism was very much Who/What/When/Where/Why and How, but even without any overt opinion or spin, the writer could have enormous impact.  

That lesson was really reinforced for me when a nationally-syndicated war correspondent spoke at our journalism awards banquet.  This was in the mid-point of the Vietnam War.  As this real-life reporter who wrote stories about life and death matters spoke, I realized the influence that his written words could have on the public perception of the war.  What he chose to write about or not write about could end up shaping opinions in a contentious national conversation. I’ve never forgotten that lesson about the power of words – a power that extends into many areas of our lives, well beyond politics and public policy.

  • I love research.   What kind of research do you do, and how long do you spend researching before beginning a book?

I do a good bit of research before I begin each book, but I usually find that I need to augment the initial research as I write.  To illustrate my process, let me talk about the process for my latest book. Like my other novels, Dead of Spring is primarily a contemporary suspense story, but there’s a parallel historical plot.  The contemporary story deals with fracking and government corruption.  The historical story takes place during the Three Mile Island nuclear crisis in 1979.  I found a lot of written material on the internet, reviewed State regulations, viewed news clips, and more. I talked to experts in law enforcement and in hydraulic fracturing. One of my most useful bits of research came when I visited a landowner in northern Pennsylvania who had leased his land to an energy company for fracking.  He leased in the early days of fracking in Pennsylvania and was unaware of the problems he might encounter.  He shared his experience by showing me his photographs of the process that transformed his property. A beautiful woodland that step by step by step turned into an acre of gravel and machinery.  Pristine drinking water that now requires constant filtering just for showers and bathing. Battles with the energy company about compensation for various problems. I also visited sites where I could view the various steps of the fracking process.   

The preliminary research often takes a month or longer.  If I find I’m missing key information as I write, I’ll often just mark the spot and return to it later after I’ve done the research.  However, if it’s a critical plot point, I need to step away from the writing and research the item immediately.

  • How do you select the names of your characters?

Character names are one of the hardest parts about writing.  Who knew a novel had so many characters?  Often, you even have to name random characters who may only “walk on” for a scene.  I use some favorite names and variations on family names for some of my main characters.  The rest I pull from news articles, people I know or meet, and baby name books for the year of the character’s birth.  Sometimes, I hear a name that strikes me as perfect and I’ll jot it down to use in a future book. Here are just a few of the lessons I’ve learned.

You don’t want to repeat names or use names that sound too similar.  I made this mistake in my first book by naming Alexa’s best friend Melissa and her executive assistant Melinda.  Since these are continuing characters, I’m stuck with the confusion forever – unless I fire Melinda and she’s such a nice woman, I’d hesitate to do that.  Heck, even I find myself confusing the two names when I write.

Don’t give a bad guy the same name as one of your friends or colleagues.  In Dead of Autumn, I gave one of the bad guys the same name as a work colleague.  I was just looking for a biblical name, and used it without thinking of my colleague. But he’ll never let me hear the end of it.

Think about readings.  In Dead of Summer, I asked a Thai friend to help me name a Thai victim of sex trafficking.  Together we picked a name that has real meaning to the arc of the character. But, now, I can never choose a passage containing her name for a public reading, because I can never remember how to pronounce the multisyllabic Thai name without stumbling over it.

  • I think readers are sometimes surprised to learn how immersed authors are with their writing.   What was your hardest scene to write?

In my first novel, Dead of Autumn, the historical subplot is a fictionalized treatment of a historical incident, the Babes in the Woods murders.  Three young sisters were found dead in a Pennsylvania forest during the Depression after traveling from California with their father and an older female cousin.  The last chapter of this Babes in the Woods saga was very difficult for me to write. I was surprised at the amount of emotion I felt as I wrote that final scene with ten-year-old Dewilla Noakes and her father. By the time I got there, I had become so connected to my vision of this young girl, that writing that last scene was a gut-wrenching experience.

  • What is your favorite childhood book? 

The Nancy Drew series.  Sometimes I think I’m writing a grown up version of Nancy Drew although Alexa is stronger and steelier.  And, she doesn’t worry about matching sweater sets.  Plus, she’s not ready to settle for Ned.

 

  • What’s the most difficult part of your artistic process?

Starting the next book.  I’m don’t adhere to the advice that you must write something every day, even if it’s just a few pages.  After a book is finished, I usually need a break. Then, I pull together the thoughts I’ve had about my next book and organize them.  I do research and prepare an outline, although parts of the outline usually evolve as I begin to write.  Then, I’m ready to begin the next book.

But, sometimes the rest of my life intervenes in the writing process.  My husband and I do a lot of extended traveling.  We just came back from six weeks on safari in Africa and India.  Also, I do consulting projects from time to time that are usually time-limited with a hard deadline.  

All of these factors can contribute to delays in getting my next book underway.  I’m struggling with that now.  One good thing.  Once I begin, I usually get caught up in the writing and just plow ahead until I’ve finished the first draft.

  • Do you Google yourself?

You caught me.  Yes, I do.  And, it can be an enlightening process.  Sometimes, I’m checking to see if a promised article or blog post has been published.  Sometimes, I’ve found that I’ve been mentioned in an article or on a blog – and I wasn’t aware of it. Twice, I’ve found that someone pirated my book and was peddling it online; so, I let my publisher know.  

One of the interesting results of searching my name online are the trails to my past life that pop up from time to time.  In the 1990’s I worked for the Commonwealth of Pennsylvania in a job where, in my official capacity, I issued a lot of communications about the Medicaid program in the state.  A lot of those bulletins and related work from those days are hanging around out there on the internet.  Some of them, I don’t even remember signing.

But, my primary purpose in Googling these days, is to keep current for author-related marketing purposes.

I must confess, I have not read Sherry’s books yet because she’s a new author to me. But, they are definitely on my TBR list now!  

Read about her latest novel: Dead of Spring 

When a beloved state senator plunges to his death at Alexa Williams’ feet in the Capitol Rotunda, the authorities suspect suicide. Although the powerful chair of the Environmental Resources and Energy Committee was at the center of a controversial new bill to expand hydraulic fracturing, he was also rumored to be ill. Shaken, Alexa tries to move past the disturbing incident by concentrating on work. She’s leading a senate commission on sex trafficking. Plus, she’s helping an old college roommate sue a natural gas company for their role in causing her daughter’s rare cancer.

In researching the lawsuit, Alexa becomes embroiled in the high-stakes politics of fracking. As the relationship with her state trooper boyfriend drifts onto the rocks, Alexa is drawn to a charismatic state legislator who’s leading an anti-fracking crusade. Then, the police shock Alexa with the news that she could be in danger; she’s a witness to the senator’s murder, not his suicide.

When Alexa narrowly escapes a sniper’s bullet, she must discover why she’s a target―and who she can trust—before the next shot hits its mark.

With Sherry Knowlton’s trademark mix of feminism, history, romance, and fast-paced thrills, Dead of Springskyrockets from the fracking fields of the Marcellus Shale to the Three Mile Island nuclear disaster of 1979 to the rolling hills of Tuscany to the halls of Pennsylvania state government. In this suspenseful tale of corruption and runaway greed, Alexa Williams proves, once again, that she’s a formidable heroine. The twists and turns keep will keep you on the edge of your seat.

Here’s where you can get the scoop on the Alexa Williams series: 

Amazon     Sunbury     Barnes & Noble     Indie Bound

Guess what time it is?

It’s Mystery & Thriller Week over at Goodreads!  

Mystery Week Author

What an exciting time. You can count on fun-filled days of interaction with you favorite mystery authors. Well, me at least. Check out my Goodreads page and follow me for updates.   

It’s day one so let’s get started. 

Here’s an excerpt from Still Life, book 1 in my Randi Lassiter series. I have yet to hear from anyone who’s solved the mystery before the ending. (Not that I’m making it a throw down or anything!) This is near the beginning of the book, when our lead detective arrives on scene. I was aiming for realism and grit. Meh, what can I say? Hopefully, I don’t fall too short of the mark. 


Jon drove his Jeep with the window unzipped and let the crisp air slap him in the face as he made his way to the bypass. Within minutes his Wrangler bumped to a stop against the concrete curb in front of Hometown Café. He turned off the ignition and sat. Sipping black coffee he’d picked up on the way, he popped a couple of ibuprofen, followed by three breath mints, and waited for the caffeine and painkiller combo to hit his bloodstream. He surveyed the bustling scene behind him in his side-view mirror.

EMS, local cops and sheriff deputies all on hand to offer assistance to the city jurisdiction dotted the area with a rainbow of uniform colors. Detectives employed by Mt. Ouisco, all three of them, were no doubt inside the official perimeter. Overkill in the number of personnel it took to cover a homicide and a potential contamination issue if they were wandering the crime scene. Jon knew it was bad when he saw the chief of police among the throng. There was an aura of frenzy as everyone vied to be part of the nightmare— everyone, that is, but him. He noted a remarkable absence of reporters. If this were Milwaukee, they’d have arrived alongside the first responders. Soon there would be an onslaught of news people, each sparring for a morsel like vultures over carrion.

Greg Stanton stood off to one side of the crowd nervously shifting foot to foot. Young and lanky with straight russet hair and flat, pale face, the rookie officer was just finishing his probationary period. He fidgeted with his duty belt and a government-issued Beretta and looked ill. A smile edged onto Jon’s face. When he worked homicide in Milwaukee, he’d dealt with more than his fair share of bloody murders. The worst were the gang killings where innocent children ended up as turf-war collateral damage. That kind of inhumane crap that was impossible to forget. This kid had it easy and didn’t even know it. The rookie looked his way; recognition crossed his face, and he waved spastically, desperate for help.

“Shit.” Jon did not wave back. He swallowed the dregs in the cup and tossed it onto the passenger side where it bounced off of several others on the floor. He got out and took his sweet time crossing the parking lot.

Unable to wait for the mountain to come to Muhammad, Stanton rushed up to meet Jon. “Hey, Detective. How are you doing? It’s a good thing we got you here to handle this… with your experience and all.” He trailed behind Jon like a puppy tripping over his own feet. Jon shot him an aggravated look that went unnoticed. “Guess you got lucky, huh?” the rookie added.

Jon pulled up short and turned to face the young officer. “Yeah. Lucky. You might want to redo your button job there, kid.” He pointed at the rookie’s shirt, which was a mess even by three a.m. standards. The kid blanched and turned his back to the crowd to fix it. Jon fought to keep from smiling. “At my first murder, I puked my guts out in the bushes not far from the corpse. The squad never let me live it down.” He patted the kid on the shoulder. “You puke yet?”

Stanton shook his head.

“Then you’re ahead of the curve.” Stanton blushed so deeply his freckles almost disappeared. A rural town with no major crime, Mt. Ouisco didn’t need— nor could they afford— a CSI team, so it fell to regular staff to conduct investigations. The local detectives typically dealt with things like B& E, vandalism, drug violations and theft. Jon knew full well their homicide skills would be academic at best. It was pretty much a given that he would be handed the investigation.

(DB Kennison. Still Life: The Randi Lassiter Series (Kindle Locations 264-291). W.R. Publishing.)


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StillLife

 

Everyone who leaves a comment will be put in a drawing for an ebook of Still Life or The Dark Side (your choice). Tune in every day for more tidbits, contests, games, and all things mystery! 

And there’s more…

Today, I have a fun surprise that I’d like to share with you. I’ve teamed up with more than 50 crime fiction and crime thriller authors to give away a huge collection of novels to 2 lucky winners, PLUS  a Kindle Fire to the Grand Prize winner! You can win my novel STILL LIFE, plus books from authors like J.T. ELLISON and MICHAEL LISTER.
Enter the giveaway by clicking here: bit.ly/crime-fic-may-17 Good luck, and enjoy!

Forward Motion is Everything

Well, it’s done. My publisher has officially closed their doors. In the ever-changing world of book selling, Samhain and its owner, Crissy Brashear, went out with dignity—doing their best by their authors and employees under difficult circumstances.

But where does this leave me, you ask? With the announcement last year of a slowdown and eventual closure, I’ve had time to prepare. I’ve already begun to re-release STILL LIFE–book 1 in the Randi Lassiter series as an ebook on retail sites with print to follow. Final line edits were recently completed on THE DARK SIDE (book 2) and I’m prepping it now for launch. The hang up is, without a publisher, it’s all on me. And boy, this Indie publishing thing is a heck of a lot of work!

Fans will also be happy to know that I’m also working on the first book in a new suspense series featuring special agent, Becca Howell, with the department of justice (from Still Life) and outlining book 3 in the Randi Lassiter Series. See, forward motion is everything.

For your entertainment, here are the cover and blurb for THE DARK SIDE.

  Enjoy!

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Coming Soon!

 

With the woman who tried to murder her finally behind bars, Randi Lassiter is wondering how much longer she must suffer the effects of the post-traumatic stress disorder that have plagued her for nearly a year. Just as she and her cop boyfriend, Jon Bricksen, settle into the routine of a happy couple, someone in town is murdered and the news threatens to send her down the rabbit hole again.

What Randi needs now is a P. I. case to focus on. When the only distraction available comes waltzing into her office, Randi embraces the opportunity like the lone life preserver on the Titanic. Too bad the client is her ex-husband, Stuart, who is looking for his missing new wife.

Randi’s decision to help the man she has sworn to loathe for all eternity is so out of character that Jon questions not only her judgment, but her mental health as well. When he worries that she has lost her last marble, Randi begins to keep secrets from him. The kind of secrets that could break a relationship.

When Stuart is suddenly arrested for murder, Randi stubbornly stands by her ex-man. As she attempts the impossible by proving him innocent, Jon is doing his best to find him guilty.

Pitted against one another, the couple’s love is tested. Can their relationship survive as a conspiracy of secrets place them in danger?

Click to read an excerpt

Can hanging out with cops improve your writing?

This past August, writers from around the globe descended on Green Bay Wisconsin like cops diving for an open box of donuts. In fact, they came in droves from as far away as Thailand and Germany to meet with law enforcement specialists at The Writers’ Police Academy. Their collective goal? To get the writing right. After all, when it comes to the technical stuff, the goal is to gain a level of authenticity that the reader doesn’t ever have to question. Readers expect a bit realism and accuracy when it comes to the details. They want the story to be believable. And, writers want to deliver it. For instance, the earlier cliche about cops and donuts is far from the truth. These days, law enforcement officials strive to stay in top-notch condition, not only to do their job well but to carry around an addition twenty pounds of gear (vest and duty belt).

The Writers’ Police Academy provided an experience like no other. Where 14054949_10207526999108692_295445966679904031_nelse can a wordsmith learn how to evaluate blood spatter or explore the use of explosives and IED’s. Or field strip and shoot a long gun, study a death scene, and learn the proper time to Mirandize a suspect?

As a debut author who is all about improving my writing, I’ve found the fine points of police procedure, legalese, forensics, and psychopathy are sometimes hard to get right. Research from behind the laptop only goes so far and it’s those little tidbits that make the story dynamic.

Based on what I learned at the academy I’ll admit mistakes were made in my first book. Hopefully, none that the average citizen would note. And yet, my goal will always be to get the minutiae right. Not only is it out of respect for those who do the job but I want fans to experience an adventure that reflects real life. This writer thing I’ve got a passion for is going to last awhile and I owe it to readers to improve where I can.

This event was law enforcement 101 on steroids.

The WPA’s wicked intense schedule is a one-stop shop that provides interactive, hands-on, professional instruction. And, much like Disneyworld, the offerings are so vast that it’s impossible to do everything in a single visit. I’m talking 42 classes offered over a 2-day period-Yikes! With all the group presentations, classes, guest speakers, and networking, my head was spinning by the end (good thing I took notes). The jam-packed days continued into the night with drone demos, traffic stops, and arrest protocol. I was particularly impressed with how patient and determined instructors were to ensure we left with a clear understanding of each subject. No question went unanswered.

Police procedure and crime scene investigation expert, author and consultant, Lee Lofland (of the Graveyard Shift Blog), is the driving force behind the academy. He and his team put together one heck of a training adventure. Here’s a look at just a few things I experienced that weekend.

Special Ops show and tell of equipment, gear, and vehicles:  S.W.A.T.,  bomb squad, emergency response and rescue, K-9 cops.

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And, a few of the classes I participated in:

-Oneida Tribal Police and Native Gangs: This class was a gold mine of information on various gangs not only in Wisconsin but across the U.S.

-Examination of stereotypical motives for mass/serial murders and the psychological nuances behind specific cases. This was taught by renown author, instructor of forensic psychology, and lover of all things dark–Dr. Katherine Ramsland.

-Police basics – learning the walk and talk – a crash course in cop lingo. Taught by Robin Burcell,  a former cop, hostage negotiator, and an FBI-trained forensic artist turned author.

-Private Investigation: Or, how to be a dick for fun and profit. Great for my amateur sleuth protagonist.

20160813_121656-Force on Force clearing of a building: When is deadly force necessary?  This class was a real eye-opener for me. I learned how officers are trained using reality-based tactical scenarios to evaluate and determine if deadly force is necessary. Gone are the days when trainees shoot at pop-up targets during training and then hesitate when confronted with the same shoot/don’t shoot scenario with a live person. An instant is all it takes to be right or wrong. I learned how this cutting-edge training better prepares officers for dangerous situations.

(Here I am with instructor Randy Clifton. Former Special Agent for the DEA and FBI Academy Instructor.)


As if the classes weren’t enough, one exciting part of the weekend were the surprise events that were planned for us.

When we arrived on campus Friday morning we witnessed a fatal head-on collision involving a drunk driver (simulated). This incident felt very real. Officials wore microphones so that we writers could hear the exchange as emergency personnel arrived and dealt with the events in real time. Responding officers evaluated the intoxicated driver, issuing a field sobriety test and subsequent arrest. Emergency medical personnel triaged the injured and extricated (using the jaws of life) a victim for medical transport on the Flight for Life helicopter.

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(Impressive acting by the guy in the orange shorts! He played dead as the entire scenario unfolded.)


We were in class early Saturday morning drinking coffee and covering terrorist statistics. For instance, Worldwide terrorist attacks in 2015 numbered 391. That number jumped dramatically to 759 in the first six months of 2016!  All of a sudden, we were under attack (simulated). Terrorists had come onto campus and staff was dealing with multiple stabbings while performing a lock-down in the lecture hall to keep us all safe. We all knew this was one of the WPA surprise simulations, but still. Not only did we get to hear staff in the room but critical responders as they made their way to us.

A lot was happening at once and it was tough to take notes with our hands on our heads. (I did manage to sneak a few photos with my cell). We were required to keep our hands on our heads until our non-involvement was established by officers. Afterward, instructors covered protocol for the response.

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Lee Goldberg shared insights into his writer’s journey and words of wisdom on how to use or not use what we learned at the WPA.

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Lee Goldberg and Tami Hoag receive recognition at the Saturday night banquet.

To top off the weekend (I know, you’re wondering how it could possibly get any better), Tami Hoag spoke about her panster writing process and how, often, she doesn’t know the ending until she’s there. She sports a tattoo that keeps her centered and has a love of mixed martial arts (and yes, she can lay you flat with one punch). She also shares a passion to the details right and attended classes that weekend. See, a writer never stops working on the craft.

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The Writers’ Police Academy was an all around adventure I look forward to attending again and again. Thanks WPA for keeping it real!

The Writers’ Police Academy sign up is February 19th. Don’t miss out!