Ian began writing a few years ago and self-published his debut novel, Dead Pool in 2015. The mystery, thriller series is set in a dystopian England in the near future and features private detective Tom Barlow.
The second in the series, Feel.it, came out in March and Ian is looking forward to the prospect of editing and publishing the next two novels in the series.
Born in London, he currently resides in Norwich and enjoys life with an extensive family.
Let’s get to know Ian.
What’s the first book that made you cry?
I didn’t learn to read until I was nine, but by age eleven, I was onto Lord of the Rings. It was the moment I realised I was a sucker for tragic romance; when the immortal, Elrond, tells his daughter Arwen about the terrible fate that awaits her if she marries the heroic, but mortal, Aragon. She will have glorious days of love, children and great grand children, but ultimately she will outlast them all and they will become a distant memory as she fades into the shadows. His bleak description of her long years of loneliness and despair is incredibly powerful. She knows he is right and it will be a horrible eternity, but she goes ahead regardless because the love and the joy of children are worth it – however brief it seems to her father.
My favourite film is Cyrano de Bergerac (with Depardieu), which is the greatest tragic romance I’ve come across.
What other authors are you friends with, and how do they help you become a better writer?
I’ve been around writers my entire adult life because of my brother, David Wingrove, who is a science fiction author. A lot of my early reading material was influenced by him. When I hit fifty and decided to start writing, he gave me invaluable feedback on the early drafts of my first two books.
I have my own local writers group in Norwich and we are always reading out chapters of our work and giving each other feedback. I think that kind of direct communication with a group of writers is essential, but you have to work at building the trust and being prepared to engage in a positive way. What I haven’t yet established is a large network of beta readers who will look at the whole book and whether it works. I think my books could have benefited a lot from that kind of feedback.
Do you hide any secrets in your books that only a few people will find?
There is a huge back story that I have planned for my main character, Tom Barlow, and the first two books are littered with clues, but no one has picked up on it yet. The third book will start to open up Tom’s story a lot more and in the fourth book, his personal history emerges, which is expansive and strange. That is what worries me. I have written a couple of thrillers which are set in the near future, but the people are relatively straightforward. Do I want to take the reader into a very different world, which has been going on silently behind the scenes in the first two books? It’s a risk.
What was your hardest scene to write?
All the sex scenes. Thankfully, there are none in Dead Poor, but Feel.it is a ‘will they, won’t they’ love story.
I could have skipped over the sex, but one of the main characters, Roxanne, is on a journey of discovery. She can’t feel pain because of a teenage trauma involving her mother’s suicide. That makes her the mega star ‘Queen of Pain’ in the futuristic game show called The Tournament. However, she wants to leave both the game and the stardom behind her, so that she can be herself again – so she can feel again. It is the central theme of her story. A big part of that emotional and physical reconnection is with her own body and for a young woman, sex is inevitably wrapped up with that kind of journey.
I won’t be writing sex scenes again if I can help it. Everyone assures me that they turned out okay and they won’t be winning any bad sex awards, but they took weeks of editing to make them raunchy and intimate, without them being pornographic. I suspect that some readers will find them too much, others will simply enjoy.
What do you owe the real people upon whom you base your characters?
Nothing, because the characters are more than imitations by the time they find their place in the story. Some of the characters are based on people I haven’t seen for thirty years and I doubt that anyone would recognise themselves in the story. Except one I used to play football with, postie Paul from Donnie (Doncaster), but I told him.
Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
It is a detective series and I have drafted four of them. The first two actually cover the same 18 day period, with both books including several of the same main characters. Tom Barlow will walk out of a door in one book and walk into a room in the other book. As with the sex scenes, I won’t write anything like that again.
There are even a couple more thrillers that I have sketched out, ready to be written. What worries me is that I can’t think of anything different to write at the moment. I did a short story for an anthology my writers group are pulling together and it ended up being about the crazy 13th birthday party of the sociopathic Alexandria, one of the other main character in my books. I’ve realised that for me the characters come first and then the story happens. I would have to ‘invent’ a new central character, in order to write a different kind of book.
What’s your favorite under-appreciated novel?
This is going to sound silly because this book has a Goodreads rating from over 53,500 people and nearly 3,000 actual reviews, but it deserves more. Ursula LeGuin’s “The Dispossessed” is one of the greatest books of the 20th Century. The reason it isn’t rated as highly as some mainstream literature is simply because it is labeled science fiction. People pre-judge and turn away. The Dispossessed has many layers, it’s a great love story and the pages are packed with humanity. I read it eight times before I was thirty. Even the structure of the book reflects the theme of the book, which is about the nature of time and space. It is brilliant. Please give it a go.
How long to write a book?
My problem is finding the time to write (and to promote the finished product) while earning a living, looking after the kids and sharing good times with family and friends. The first two books were mostly written between 5am and 6am, over a three year period. I would think about plot, sections of dialogue and settings, while I cycled to and from work. I would then spend five minutes writing notes on my phone when I arrived and those hastily mis-typed lines would be my starting point (along with coffee) the following morning at 5am.
If you read Feel.it, you will notice that Roxanne, the heroine of the book, also cycles a lot, as it represents freedom and her own head space. This is not a coincidence.
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Get the books: Amazon